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GOTHIC
UNITED STATE 








BIOGRAPHY


One of the longest-lived American underground bands, Human Drama was in many ways the personal vehicle for singer/songwriter Johnny Indovina who guided the band through a variety of lineup changes and stylistic experiments. During their lifespan, Indovina and Human Drama released a series of inspired recordings and thrilled audiences with their powerful, moving live performances, all built around Indovina's passionate singing and dramatic melodies. Supported by a devoted fan base in America and most notably Mexico, Indovina and Human Drama created a wonderfully intense and heartfelt collection of work that will be enjoyed and discussed for years.
Indovina and Human Drama began their career in New Orleans in the early 80s as the Models, releasing two singles along with compilation appearances. A mid-'80s move to Los Angeles and the discovery of an Australian band named the Models set the stage for Indovina and company to begin their new incarnation. The newly renamed Human Drama became a vital member of the legendary "Scream scene" of the mid-'80s, which sprang up around the short-lived Los Angeles underground goth metal club that brought Guns N' Roses and Jane's Addiction to the world. Human Drama contributed a song, "Wave of Darkness", to the 1987 Scream Compilation LP, which led to a major label deal with RCA. 1989 saw the release of the debut Hopes Prayers Dreams Heart Soul Mind Love Life Death EP (recorded in Wales, produced by Ian Broudie - Echo And The Bunnymen, The Fall, Lightning Seeds), and the full length Feel LP. Indovina soon concluded that RCA wasn't properly promoting the band, and made the move to the influential independent Triple X Records label.
The next major Human Drama release was their masterpiece, 1992's The World Inside, widely regarded as Indovina and Human Drama's most important work. Both exhilarating and insightful, the LP earned the band critical raves and a near fanatical following. Interestingly, a solo performance of various cover songs by Indovina at the album's release party inadvertently predicted the next Human Drama album — 1993's Pin-Ups, an open tribute to David Bowie's album of the same name, a collection of remakes of various sources of inspiration. A move to New York city accompanied a temporary co-release stint on the noted Projekt label, resulting in two additional mid-decade releases — 1994's Human Drama EP, especially noted for its reworking of Feel's epic "The Waiting Hour", and 1995's Songs of Betrayal, an extended meditation on the theme which was later re-released as two separate discs with additional tracks.
Having built up a sterling live reputation, it wasn't surprising that the next Human Drama release would be a live album. 1997's excellent 14,384 Days Later featured many of the early Feel-era songs, along with some fine new cover song choices. 1999 brought Solemn Sun Setting, further polishing the band's status before the following year's career overview, Best of Human Drama...In a Perfect World. In 2001, Mexico's Noise Kontrol Records released Momento's en el Tiempo (Moments In Time), a live compilation of Indovina's solo acoustic performances where classic Human Drama songs like "Death Of An Angel", "Tired" and "This Tangled Web" retain their power in the stripped down acoustic format.
The final Human Drama album, 2002's Cause And Effect, was an unexpected goodbye from Indovina and company. With Indovina's thoughtful lyrics and his warm, beautiful voice again in fine form, he moved even farther away from any limiting goth rock tag to a more unique stylistic hybrid.
In 2004, Human Drama recorded their final track, the Beatles "Let It Be", which was given to fans who attended the band's farewell performance in Los Angeles. When asked why he chose "Let It Be" as their final recording Indovina answered, "I strived my entire career to write a song as good as that, but since I couldn't, I decided to record it as a salute to what is in my opinion, the best song ever written".
It was a classic end for a classic band.


DISCOGRAPHY


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Hopes Prayers Dreams Heart Soul Mind Love Life Death

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Feel - 1989

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The World Inside - 1992

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Pin Ups - 1993

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Ep - 1994

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Songs of Betrayal - 1995

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Live - 1997

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Songs of Betrayal Pt 1 - 1999

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Songs of Betrayal Pt 2 - 1999

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The Best of Human Drama - 2000


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Solemn Sun Setting - 1999

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Cause And Effect - 2002


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Moments - 2005







GOTHIC
Los Angeles, California, USA





BIOGRAPHY

ECHOES OF ETERNITY is a band that performs symphonic metal. The band was founded in 2005 in Southern California. They released their debut album The Forgotten Goddess in 2007, which recieved mixed reviews from critics, some citing the music as ‘’high-strung, ProTooled, synthetic, with a stiff nature to the riffs and the drumming’’ while others claimed there is ‘’beautiful melodies galore, backed by a start-stop machine gun double bass attack and a classic metal guitar sound.’‘

The band’s second album, As Shadows Burn, was released in September 2009 and has a somewhat different feel from the first. Gone are the synthetic effects layered on the vocal tracks and the slower, more gothic tracks that one can find on the Forgotten Goddess. Instead, we have something influence by power and progressive metal sounds.













GOTHIC
Minnesota, USA






BIOGRAPHY

Aesma Daeva formed out of the early collaboration of Nick Copernicus (production) and John Prassas (guitars, composition) in LaCrosse, Wisconsin, circa 1998. They worked together on a remix of an original work, "Darkness", for COP International compilation disc Diva-X-Machina II. As their project began taking shape, a second new track "Stay," caught the eye of Adrian Hates (Diary Of Dreams) at Accession records Germany, who published their first full length album: "Here Lies One Whose Name Is Written In Water”.
At this point, Aesma Daeva, the operatic, symphonic, metal band, took official shape. Rebecca Cords performed the operatic vocals, John Prassas composed and performed all guitar parts, and N Copernicus helped with production and sampling.
After the release of their first album, Rebecca Cords departed from the band and Melissa Ferlaak (along with two other female vocalists) began recording with Aesma Daeva for their second album, The Eros of Frigid Beauty, which was released in 2002 on Root of All Evil records. After the release of this album, demand for live music soon compelled John Prassas to find musicians capable of portraying the complex music on-stage. In January 2002, John Prassas asked Earl Root to play guitar, Craig Ohren to offer drum assistance and Melissa Ferlaak to sing for live performances.
Aesma Daeva played Metalfest in Milwaukee, Wisconsin, which established them as an original voice in the world of metal. Such popular metal magazines as Unrestrained!, Terrorizer, and Metal Maniacs deemed Aesma Daeva, "One of the Highlights of Metalfest 2002." Later, in August 2002, Aesma Daeva journeyed to Mexico for Festival Obscuro IV (presented by Dilemma Entertainment) to play along such acts as Tristania, Maldorar, and HIM.
In 2003, John decided it was time for the band to move to a new level. Writing began for a new album to be produced by Grammy award-winning producer Neil Kernon (Nevermore, Hall and Oates, Queensreich). Many setbacks and line up changes happened during this period. In October, 2005, Melissa Ferlaak announced she was leaving to join the Austrian band Visions of Atlantis. Her final show with Aesma Daeva was in December 2005 at the Star Central club in Minnesota. The concert was filmed for the internet DVD Last Rites.
After the Departure of Melissa Ferlaak, the search for a new vocalist began. Within a few months, Lori Lewis proved to be the best compliment to the band. With her knowledge of many different styles of music and her ability to sing different genres, Aesma Daeva has risen to a new level of professionalism and ability.
Aesma Daeva's new album, Dawn of the New Athens, was released in March 2007 followed in the fall by a full U.S. and Candian tour with Therion. This album marks a new era for Aesma Daeva in their quest for high quality, original material.





GOTHIC
California, UNITED STATES




 BIOGRAPHY

London After Midnight (LAM) is a music project formed in the 1990s by singer/songwriter and multi-instrumentalist Sean Brennan. LAM has retained and nurtured the political and socially aware element of the later punk scene that virtually vanished from all music scenes in the early 90s, and has developed as a passionate and political dark rock-music entity. LAM has a large worldwide following, with many gothic rock fans (LAM shuns labels such as “gothic”, however, saying that labels limit an artist’s creative realm and also destructively divides audiences- unfortunately too many people define themselves by the style of music they listen to and refuse to expand beyond that).

LAM has gained a large and loyal following all over the world, from the USA to Europe to Latin America (where the live band has toured extensively), and beyond. LAM has headlined and co-headlined concerts and major festivals with bands like The Cure, Green Day, HIM (HIM has cited LAM a favorite artist), Rammstein, Soft Cell and many more. LAM has performed to crowds of over 30,000 people as headliner and co-headliner on major music festivals around the world. However, London After Midnight maintains a strong underground and independent “personality” despite being a top seller (charting in the top 10 and top 20 German DAC, and other European independent charts, with each of 4 CDs released) and a major draw at music festivals year after year.





Gothic
New York, USA
                 
About 


satu lagi band gothic wanita yang benar-benar gokil alias gila, dengan dandanan khas gothic dan lantunan lagu yang sedikit progressive menambah horror band yang digawangi oleh Reverend Charles Lupula, Ness, Kleibold Harris, Valium Joy dan gia Iscariot ini sering membuat heboh dengan Konser tanpa mengenakan busana. GOKIL GA TUCH.....!!!!






















Group Members
  • Reverend Charles Lupula 
  • Ness
  • Kleibold Harris
  • Valium Joy
  • Gia Iscariot

Albums
Entartete Kunst (2001), Rock Me Asmodeus (2004), Jehovah's Sickness (2005-upcoming)










Genre : Gothic Black Progressive
Location : USA
Website : http://www.msplinks.com/MDFodHRwOi8vd3d3LmNocmlzdGlhbmRlYXRoLmNvbQ==
               http://www.myspace.com/christiandeath

Silahkan Klik aja ke websitenya untuk dapatkan info lengkap.......






Genre : Gothic Thrash
Location :USA
Website : http://www.myspace.com/paradiselostuk




Setelah merayakan ulang tahun ke-20 mereka di tahun 2008 dengan merilis banyak dipuji hidup DVD/2CD mereka "The Anatomy Of Melancholy", serta menunjukkan hidup eksklusif seputar acara dengan Anathema dan My Dying Bride, PARADISE LOST sekarang kembali dengan sangat diantisipasi ikuti -sampai dengan tahun 2007's "In Requiem": album studio merek baru "Faith Divides Us – Death Unites Us".

"Dalam Requiem" berhutang banyak keberhasilan yang fenomenal - album memetakan di # 12 di Jerman dan juga di Swedia, Belanda, Perancis, Italia, Yunani, Finlandia, Inggris dan banyak negara lain - untuk berat meningkat dan band's merasa unik untuk melodi suram. Album ini dipuji oleh para kritikus sebagai upaya band paling metalik sejak album klasik "​​Icon" (1993) dan besar-menjual "Draconian Times" (1995), tetapi karya baru "
Faith Divides Us – Death Unites Us" pemogokan jalur bahkan gelap!




Untuk pertama kalinya dalam sejarah band, gitaris Greg Mackintosh dan Harun Aedy telah menggunakan 7-string gitar dan memutuskan untuk merekam dengan Jens Bogren (Katatonia, Opeth) pada Daya Tarik Street Studios di Orebro, Swedia, yang mengakibatkan alami, hangat dan produksi organik. Album baru direkam dengan sesi drummer Peter Damin, yang sekarang telah secara permanen digantikan oleh Adrian Erlandsson (Cradle Of Filth, At The Gates, The Haunted).Sudah judul album, yang kontras istilah rohani "faith" dengan kenyataan pahit dari "death", petunjuk di liku musik kaku dan berubah di album ini. Dari krisis pertengahan tempo firasat dari "As Horizons End" selama drivingly berat "I Remain" pada skizofrenia "Frailty" dan judul lagu-megah, album ini dicirikan oleh benturan kemarahan mendidih - juga dilambangkan melalui Nick Holmes 'gruffer vokal - dan putus asa melankolis ditimbulkan melalui bermain gitar menawan Greg Mackintosh. Sebuah lagu seperti "Rise Of Denial" adalah jalur yang paling mudah agresif band ini ditulis dalam tahun, riff dalam "Living With Scars" bahkan memiliki sekolah tepi kematian logam tertentu tua kepada mereka, namun PARADISE LOST tidak pernah gagal untuk menambahkan cukup mereka luar biasa terampil akal bagi aksesibilitas dan efektif-menulis lagu. Lagu epik "Last Regret" misalnya ditakdirkan untuk menjadi favorit bernyanyi panjang baru selama tur Eropa headlining mendatang band ini, yang kicks off akhir Oktober 2009.Sejak konsepsi mereka pada tahun 1988, PARADISE LOST tidak hanya mendirikan genre gothic metal dengan 1991's "Gothic", tetapi juga rajin pasti dan berani melampaui itu. Dari siksa, merangkak mengerikan debut mereka "Lost Paradise" (1990) dengan suara elektronik dari "One Second" (1997) ke pukulan goyang gelap "Paradise Lost" (2005), seluruh karir band ini telah disertai oleh keinginan untuk berkembang dan berada di depan tren musik dan mode. "Faith Divides Us – Death Unites Us" mudah dan bangga terus tradisi ini sukses dan jelas menunjukkan bahwa PARADISE LOST adalah salah satu tindakan yang beredar beberapa bekerja keras dan mendapatkan status legendaris mereka dengan kekuatan lagu.

Member

  • Nick Holmes (vocals)
  • Greg Mackintosh (lead guitar)
  • Aaron Aedy (rhythm guitar)
  • Steve Edmondson (bass)
  • Adrian Erlandsson (drums) 

Album Realese


Faith Divides Us Death Unites Us
EMP
HMV
PL Merchstore
iTunes


Drown In Darkness (Early Demos)
EMP
HMV
PL Merchstore
iTunes


The Anatomy Of Melancholie
EMP
HMV
PL Merchstore
iTunes


In Requiem
EMP
HMV
PL Merchstore
iTunes

Genre: Thrash Gothic Metal
Location: New York, USA

Tentang Evanescence

Setelah terjual hampir 15 juta album di seluruh dunia, lebih dari 6 juta di AS saja, dan produktif dua Grammy ® dengan major-label debut Fallen, Evanescence terus meroket dengan upaya terbaru mereka, The Open Door (Wind-up Records). Pintu Terbuka memulai debutnya di puncak tangga lagu Billboard menjual lebih dari 447.000 unit pada minggu pertama dan meraih platinum hanya dalam waktu satu bulan. Album ini didefinisikan oleh melodi indah Amy Lee, lirik menarik, menyentuh piano dan vokal menakjubkan, berpadu dengan gitar Terry Balsamo mendesak belum rumit untuk membentuk campuran, halus mulus yang sempurna saluran hard rock band dan kepekaan klasik."Membuat catatan ini benar-benar intens," jelas Lee. "Terry mengalami stroke pada Oktober setelah merekam bagian gitar dan untungnya terus membaik, kami punya manajer baru [Andy Lurie di 110 Manajemen di Los Angeles], dan aku keluar dari suatu perpisahan sulit. Tapi semuanya kita sudah melalui bersama-sama memiliki manfaat album ini "Dengan Fallen., Kata Lee, band ini telah banyak membuktikan sementara mendefinisikan identitasnya. Kali ini, menemukan pasangan menulis kohesif di Terry Balsamo, "kita benar-benar mengambil waktu kita kerajinan album ini dan memiliki kebebasan untuk mengekspresikan emosi yang lebih luas:. tidak hanya rasa sakit dan kesedihan, tetapi juga kemarahan dan, ya, bahkan kebahagiaan"Ditulis akhir tahun 2005, Pintu Terbuka tercatat di The Record Plant di Los Angeles dan campuran di Ocean Way Studios pada Maret 2006. Menandai kembalinya produser Dave Fortman, unsur-unsur musik album ini termasuk paduan suara klasik-infused dan string di beberapa lagu, memberikan warna lebih lanjut untuk lagu introspeksi, kerinduan, keraguan, harga diri dan, akhirnya, pemberdayaan. Album ini dibuka dengan "Manis Pengorbanan," sebuah katarsis pasca-hubungan bahwa kepala-penyelaman dari intro dunia lain menjadi sebuah mengemudi-keras thrash gitar hard rock dan vokal rock melonjak. Its single pertama, pertengahan-tempo "Call Me When You're Sober," memperkuat bergerak-jauh-dari tema-disfungsi.trek menonjol lain di Pintu Terbuka meliputi, single kedua "Lithium," yang mencakup perasaan atas mati rasa, "Semua Bahwa aku Hidup Untuk," upeti Lee ke band hidup, "Berat Dunia," dia permohonan untuk perspektif dari harapan penggemar muda, dan "Cukup Baik," string-dan-koor-infused lebih dekat dibedakan sebagai lagu pertama band benar-benar (hampir) puas ("Rasanya sangat baik mengakhiri album seperti ini," kata Lee).Its wisata mulai segera setelah debut Pintu Terbuka, menguntungkan hardcore fans dengan "sneak peak" pada album dengan beberapa lebih tanggal intim teater di AS dan Eropa sebelum segueing ke arena menunjukkan jauh lebih besar pada akhir tahun 2006. Sejak rilis album, band ini tampil di depan baik dalam lebih dari satu juta penggemar di lebih dari 25 negara, termasuk Amerika Serikat, Kanada, Perancis, Inggris, Spanyol, Jerman, Yunani, Turki, Rusia, Israel, Argentina, Chile , Selandia Brasil, Afrika Selatan, Jepang, Australia dan New.Sebagai Pintu Terbuka mendekati penjualan 2 juta kopi di Amerika Serikat dan lebih dari 4 juta kopi di seluruh dunia, judul Evanescence akan tur Amerika Utara, termasuk 3 menunjukkan arena di Meksiko, Fall ini. Tur akan dimulai 23 Oktober di Miami dan menyimpulkan pada atau sekitar 10 Desember. Dengan penambahan baru-baru ini (Warner Bros Records) Dark New Day Will Hunt pada drum dan Troy McLawhorn pada gitar, Evanescence siap untuk menyelesaikan 2007 dengan keras. Evanescence telah memilih trio rock Australia modern rock Padi dan bertindak elektronik Julien-K untuk mendukung mereka di tur.Evanescence Amy Lee (vokal, piano), Terry Balsamo (gitar), Tim McCord (bass), Troy McLawhorn (gitar) dan Will Hunt (drum). Fallen, besar-label debut mereka, dirilis pada bulan April 2003 untuk sukses kritis dan komersial dan telah terjual lebih dari lima belas juta eksemplar. kedua label debut major mereka, Pintu Terbuka, debut di Nomor Satu di tangga lagu Billboard dan mencapai status platinum hanya dalam waktu satu bulan. ..Awalnya memanggil dari Little Rock, Arkansas, suara band berkembang - perkawinan hampir mistis antara rock, gothic dan klasik - diberitahu oleh dualitas penasaran. Lee, yang menghabiskan sembilan tahun belajar piano klasik, menjelaskan, "Ketika saya masih di sekolah tinggi saya mendengarkan banyak band death metal. Kedua genre yang rumit, kompleks jenis musik yang sangat dramatis, dan aku alami tertarik untuk itu. "Evanescence diri merilis dua EP dan sebuah album full-length pertama, yang banyak dicari Asal, sebelum menemukan sebuah rumah di Wind-up Records. Fallen, besar-label debut mereka, dirilis pada bulan April 2003 untuk sukses kritis dan komersial. Top internasional menarik 10 single "Bring Me to Life" dan "My Immortal" membantu diputar drive dan menyebabkan dua 2003 Grammy Awards (Best New Artist dan Best Hard Rock Performance for "Bring Me To Life"). Mendorong band untuk penjualan hampir 14 juta album di seluruh dunia, Fallen menghabiskan lebih dari 100 minggu di chart Billboard's Top 200, bersertifikat emas atau platinum di lebih dari 35 negara, dan dijual keluar arena global. Anywhere Tapi Home, 2004 live DVD mereka rilis, telah terjual lebih dari satu juta buah sampai saat ini.Drama melekat pada musik Evanescence's - semacam pengembaraan audio yang dapat mengaktifkan sepeser pun dari introspeksi piano-menyebabkan gitar memalu - telah bergema dengan pendengar di mana-mana. inti agresif band ini menemukan padanannya di vokal bergairah Lee, lirik yang menempa hubungan dengan penonton pencarian identitas atau berjuang dengan perasaan keinginan, cinta dan kehilangan harapan. Pintu Terbuka adalah transformasi (tetapi tentu tidak dapat diprediksi) logis dari proporsi epik untuk band, yang, dalam banyak hal baru saja mulai membuat tanda pada dunia musik.


Contact Band 
www.evanescence.com  
www.winduprecords.com  
denglefield@bwr-la.com  
kestlund@bwr-la.com.  
http://www.myspace.com/evanescence